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6 of 10 Stars
Stars - Elizabeth Debicki, Claes Bang
UK, Italy
Giuseppe Capotondi
runtime - 99 Min
Download movie obraz po c5 bc c4 85dania kit. Download movie obraz po c5 bc c4 85dania engine. The Burnt Orange Heresy Hired to steal a rare painting from one of most enigmatic painters of all time, an ambitious art dealer becomes consumed by his own greed and insecurity as the operation spins out of control. Genre: Actor: Claes Bang, Elizabeth Debicki, Donald Sutherland, Mick Jagger, Rosalind Halstead, Alessandro Fabrizi., Katie McGovern, Flaminia Fegarotti, Alessandro Fabrizi, Alexia Murray, Pat Starke, Director: Giuseppe Capotondi, Country: Italy, United States of America, Runtime: 99 min Quality: DVD Release: 2019 IMDb: 0 Language: English, Views: 901.


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Recensione di Paola Casella sabato 7 settembre 2019      James Figueras è un noto critico d'arte che tiene lezioni su tutto ciò che sta dietro un dipinto e sul potere che ha la critica di convincere il pubblico della validità di un'opera: un potere che talvolta fa leva sulla menzogna. Durante una di queste lezioni l'uomo incontra Berenice Hollis, una ragazza americana affascinata dal bel critico e dalla sua competenza. James e Berenice finiscono a letto e lui la invita a trascorrere il fine settimana successivo nella villa di un facoltoso collezionista, Joseph Cassidy, che l'ha convocato per proporgli uno scoop: Cassidy intende infatti dare al critico la possibilità di intervistare Jerome Debney, un leggendario artista che non parla con i media da 50 anni, ovvero da quando un incendio ha distrutto tutte le sue opere, trasformando quella scomparsa nell'essenza stessa del suo gesto artistico. In cambio Cassidy vuole che Figueras rubi per lui uno dei quadri che Debney custodisce nel suo studio, in totale segretezza. The Burnt Orange Heresy è un noir ambientato nel mondo dell'arte, del quale mette in evidenza tutta la spietatezza e l'ambizione. Basato sul best seller omonimo firmato da Charles Willeford, questo film dal titolo incomprensibile (le cui iniziali però costituiscono un acronimo significativo) segna il ritorno al lungometraggio di finzione di Giuseppe Capotondi dopo La doppia ora, del quale riprende le atmosfere algide e rarefatte. Rispetto al romanzo di Willeford l'ambientazione si sposta dalla Florida alla Lombardia, fra Milano e il Lago di Como, ma resta fondamentalmente integra la struttura narrativa, che è la vera forza del film: una trama tesa e coerente che tratta i temi della verità e della menzogna costruendo un congegno ad orologeria nel quale i protagonisti restano incastrati, ognuno in ragione delle proprie debolezze personali. The Burnt Orange Heresy pone agli spettatori la domanda esistenziale: che cosa rimane dopo che sono cadute tutte le maschere? E incalza: come possiamo sopravvivere quando tutto ciò che ci resta in mano si rivela un pugno di mosche? Purtroppo però i dialoghi sono troppo verbosi e letterari, e nel caso di Berenice presuppongono un livello culturale davvero sofisticato, che la ragazza non potrebbe avere dato il suo background. La regia ha ambizioni hitchcockiane evidenziate da dettagli come la pettinatura da "donna che visse due volte" di Berenice e un certo modo di allestire le scene di suspence, e la storia si collocherebbe con onore nel panorama del cinema di genere se non ci fosse a tre quarti una svolta che funzionava nel romanzo, ma è costruita cinematograficamente inserendo variabili visive e reazioni davvero inverosimili. La sequenza demolisce completamente la credibilità pazientemente costruita, creando un danno irreversibile all'insieme. È un peccato, perché fino a quel momento la qualità professionale della regia di Capotondi e dei contributi tecnici (in particolare la fotografia di David Ungaro e i costumi di Gabriella Pescucci), così come la recitazione di un cast interessante che comprende la luminosa Elizabeth Debicki (Berenice) e i due veterani Donald Sutherland (Debney) e Mick Jagger (Cassidy), avevano mantenuto gli standard ad un buon livello internazionale. The Burnt Orange Heresy avrebbe anche potuto dare il suo degno contributo al filone cinematografico ambientato nel mondo dell'arte figurativa, che conta esempi positivi come l'argentino Il mio capolavoro e negativi come l'italiano Colpo d'occhio, ma soprattutto avrebbe aggiunto il suo punto di vista sui rapporti fra artista e aspirante tale, che ha radici lontane (vedi certi racconti di Henry James) e ricadute assai attuali.  Sei d'accordo con Paola Casella? Scrivi a Paola Casella Il tuo commento è stato registrato. Convalida adesso il tuo inserimento. Ti abbiamo appena inviato un messaggio al tuo indirizzo di posta elettronica. Accedi alla tua posta e fai click sul link per convalidare. Chiudi Il tuo commento è stato registrato. Grazie. Chiudi.

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Download Movie Obraz pożądania. Download movie obraz po c5 bc c4 85dania light. Download movie obraz po c5 bc c4 85dania association. Synopsis You Can't Paint Over The Truth Hired to steal a rare painting from one of most enigmatic painters of all time, an ambitious art dealer becomes consumed by his own greed and insecurity as the operation spins out of control. Cast Crew Details Genres Director Producers Writers Editor Cinematography Production Design Visual Effects Composer Costumes Studios Countries Language Popular reviews More The more I think about it, the more I love The Burnt Orange Heresy. The third act is bad and almost ruins the film, but the rest of it is built upon such compelling mystery and intrigue. I feel like every single line in the film might be deceptive, or a lie, you have to read between the lines to really figure out what's going on. And for those who love it as much as I do, the film has some serious Zima Blue references throughout the first half. It's a crafty commentary on art and the truth of art much like Zima Blue, complete with numerous mentions of the color blue and a pool. Made me giddy watching it… LA BIENNALE DI VENEZIA 76 — FILM #29 last film of the festival! thank god. what a great film to end with. esp bc elizabeth debicki herself can end me.  thanks venice, it’s been swell. TIFF 2019: Film #17 A boring art thriller about a bunch of pretty people who don't know each other sitting in lavish settings talking about how much they don't know each other. Its critique of art and art criticism is toothless and the third act makes next to no sense. Sutherland hands in a kooky performance and Debicki does the best she can with material that is boderline disrespectful to her talent. Oh yeah and Mick Jagger is in this. Big pass on this for me, dawg. this was bad. but like, elizabeth debicki is 6’3 The guy sitting next to me snoring loudly into his seat sums this movie up pretty perfectly. Did not have the moves like Jagger. Recent reviews Has its moments. Has Mick Jagger. Has Elizabeth Debicki mostly allowed to be tall. And generally had me on superficial terms. But that kinda wound down at the end. Eh. listen, this things got its problems, but there is no doubt some fun to be had in the last half. This is why seeing movies without reading reviews/opinions beforehand and watching little to no trailers will always be best. A movie that would probably be amazing if written and directed by Rian Johnson. A little highbrow art drama where every scene takes place in a location that you know ran up the budget exponentially. Every character speaks as if their dialogue is a game of chess (which I always hate in movies). Sometimes they babble about some philosophical art shit or something. I actually didn't know what the plot really was until after the climax happened. Surprisingly, it wasn't nearly as boring as it might sound. I almost gave it 3 stars, but I really liked the turn it took in the third act, even if it may be a little dumb. Stars Elizabeth Debicki, and Mick Jagger too. I’ve only seen Debicki in movies that make her a monster, so it’s a nice change to let her be pretty and leggy while still being nuanced and vulnerable. Too bad the movie doesn’t respect her work! Since Bang is untrustworthy from the start, this film needed a greater connection between the “innocents” Debicki and Sutherland as well as something more sinister behind Mick Jagger’s character but all we get is Bang sweating through the final act. It is kind of weird that Mick Jagger plays an insanely wealthy art collector that may be less wealthy than Jagger is in real life. A fascinating exploration at the divide between artist and critic. Who would have thought Mick Jagger would have a highlight performance as an eccentric patron.  Saw at TIFF 19 with klaus Palm Springs Film Festival 2020: Very entertaining noir-style art-world mystery, at least until it falls apart with an anticlimactic nothing of an ending. Still worth seeing for a fantastic performance by Elizabeth Debicki, the very effective slow-building tension, and Mick Jagger channeling John Malkovich. That was interesting! I only with it would be messing with our heads a bit more, not just talking about it. Also, some more depth in Debicki's character would have been nice. I enjoyed it, but it COULD have been even better. Still, it's good enough, and I'd surely recommend it. Popular Lists More.

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